09 / 12 Language tracks

One production. More than one language.

Keep one creative identity across separately reviewed tracks.

Keep each agreed language and market version in one production, with shared canon, story state, approvals and lineage. Give each track its own voice, pronunciation guidance, translated claims, captions, cultural restrictions and native review.

Free planning. Scoped, paid rendering after approval.

Illustrative production view
Choose an illustrative production scenario

One world. Distinct language reviews.

AI-generated illustration of a creative director developing an original story
Shared production
Story state + character identity
Hindi primary
Voice and dialogue review
Regional track A
Pronunciation and captions
Regional track B
Native meaning and register

A translation is only part of the track.

Fictional example. Explore the workflow; these controls do not render media, approve work or authorize spend.

01

Shared canon across language versions

02

Voice and cultural review per track

03

A local issue stays with its affected track

One core. Two launch solutions.

Built around the work you need to deliver.

Language tracks

Localization fails when it starts after the master is accepted.

By then the voice was cast for one language, the claims were written for one market, and the lip-sync tolerance was set by a treatment nobody chose with a second track in mind. Tracks are declared at greenlight for that reason.

01 / Inside the workflow

What is shared and what is not

Shared across tracksOne production
  • Creative canon and story state
  • Character identity and location references
  • The approved plan, boards and shot structure
  • Rights positions that are not language-bound
  • Provenance and the production record
Per trackOne track
  • Voice casting, within an identity that survives every track
  • Pronunciation of names and regional phrasing
  • Translated dialogue and, for brands, translated claims
  • Captions, timing and reading speed
  • Cultural restrictions and native reviewer sign-off
  • Lip-sync tolerance appropriate to the treatment

The consequence of that split is that a track can be blocked, repaired or re-reviewed without touching the master or the other tracks. A Tamil pronunciation problem is a Tamil problem.

02 / Inside the workflow

One character, several languages, one identity

The hardest part of a multilingual track is not translation. It is that the same character has to feel like the same person in a language the original voice was not cast for.

Tosheo handles this by making the track a brief-level decision. If Tamil is declared at greenlight, the voice reference is chosen against both languages before it is approved, rather than a Tamil voice being sourced afterwards to match a Hindi performance it was never going to match.

  1. 01
    Tracks are declared in the brief

    Which languages, which markets, and who reviews each one natively. A track added later is a scope change that reopens gates.

  2. 02
    Voice is cast against every declared track

    An identity that only works in one language has failed the test before production starts.

  3. 03
    Pronunciation guidance becomes canon

    Names, places and regional phrasing are recorded, approved, and checked in QA rather than re-decided by whoever is in the session.

  4. 04
    Each track is reviewed natively

    Recorded as its own gate. A primary-track approver cannot sign for a language they do not speak.

  5. 05
    Delivery packages per market

    Each track produces its own captions, disclosures and platform versions, bound by the rights that apply in that territory.

03 / Inside the workflow

What we are not claiming yet

Questions

Before you bring it into production

Which languages does Tosheo support?

At launch, a Hindi primary track with two additional Indian-language tracks, decided per production during validation. We are not publishing a longer list until production quality and economics for each track are proven, because a language on a marketing page that does not work in production is a refund conversation.

Is this dubbing?

It is closer to producing the episode in that language than dubbing it afterwards. The track shares the picture, the canon and the story state, but the voice, phrasing, captions and review belong to the track. Lip-sync tolerance is a treatment decision made with every declared track in mind.

Can I add a language after the season is done?

Yes, and it costs more than declaring it at greenlight would have. The voice was cast without it, the treatment was set without it, and the claims were written without it. The system handles the scope change honestly; it just cannot undo the earlier decisions for free.

How are translated brand claims handled?

As claims, not as text. A substantiated claim in one market may not be substantiated in another, and translating it does not carry the substantiation across. Each track holds its own approved claims and its own brand and legal sign-off.

Does a blocked track delay the whole production?

No. Rights, review and delivery are tracked per track. If one market variant is blocked on an unresolved grant, that variant blocks and the others ship.

Connected by design

The next decision has context.

Explore all 12 features

YOUR NEXT PRODUCTION

Bring the ambition.
Keep control of the work.

Start planning for free through the brief, canon, storyboard and animatic. Full-quality rendering is a paid, scoped engagement with explicit cost authorization.